Showing posts with label celluloid. Show all posts
Showing posts with label celluloid. Show all posts

Thursday, August 27

The TIme Traveler's Wife

Novels mounted into films tend to disappoint me because they always seem to miss the point. Robert Schwentke's latest film, The Time Traveler's Wife is another example of that disappointment. I have read the novel two years ago and I was really impressed by the way Audrey Niffenegger told the story of how love can survive time.

The novel is set in Chicago and jumps from different time periods from the mid-seventies to the turn of the century and on to the not so distant future. The whole story revolves around two main lovers – Henry and Clare, who are desperately trying to build a normal life as time literally steals it away from them. Henry suffers from a fictional genetic disorder called chrono-displacement which causes him to time travel within his lifespan (and sometimes even beyond) under extreme stress. He met Clare, who was then a little girl, in one of his time travels. Henry and Clare's relationship blossomed from friendship to a love that would be best defined by St. Paul's words in his letter to the Corinthians - “Love is patient and kind...”

To be fair, Schwentke didn't do a bad job mounting it to celluloid. Its always a struggle for a film maker to direct a film adaptation. Call it a curse, but film adaptations were not meant to outshine the original written work. Given the plot and the ethos of the narrative, it would seem quite difficult to put everything on to film. My main criticism about the adaptation was that it slightly lost its focus for two reasons – the character development and the ending.

Both Henry and Clare's characters were not fully exhausted in the film. The young Henry only appeared in one scene but his character was also quite pivotal in the book. Clare's character was rather poorly portrayed also in the sense that the film focused way too much on Henry and his disorder. Although the book was about a husband time traveling, it was also about the wife being left behind. Clare was the Time Traveler's Wife after all and the film failed to establish that. I could forgive that bit in the film but I what I could not accept was the ending.

The film ended with the Henry and Clare's daughter, Alba, playing in the meadow with her friends and seeing a forty something year old Henry. She then asks her friends to call out her mother while she and her father talk. Henry, by this time, knows he is already gone in their lives. He has traveled to the not so distant future. Clare runs out to the meadow and Henry meets Clare and they kiss until Henry disappears and all that is left are the clothes and the pair of shoes which Clare still prepares. The camera pans out to the meadow with Clare and her daughter walking back to their house. It's a nice ending for a date movie, which what became of The Time Traveler's Wife. However, it did not do justice to Niffenegger's novel. Niffenegger's ending to her love story was one of the best that I've read. I rarely read love stories because I never liked their endings. Niffenegger, however, wrote a very moving ending that was fit for a love story with a time travel element in it. The book ended with forty something Henry visiting an older Clare in the not so distant future. Henry is narrating the whole time. He describes how he appears in the same meadow where he and the young Clare met the first time and how he came to love the little girl that gave him her dad's clothes and pair of shoes. He also describes how his love for Clare still grows and deepens and how he is still in love with the same woman. The page ends with Henry describing Clare as beautiful woman, even though she has clearly advanced in years, sitting by the meadow, waiting to catch a glimpse of her beloved time traveler.

Though disappointing, the film tried its best to live up to the standards of every film adaptation, which was to be inferior to the original. Bana and McAdams' portrayals were quite moving and their tender moments were both heart wrenching and genuine. For people who haven't read the book and will see the film, they will probably like and even love the film and would probably rave about it for a day or two. For those who have read the novel however, be prepared to be slightly disappointed.

Tuesday, December 9

You gotta love the 50's {No Margie! Yer cake didn't turn out so well}

I know I wasn't born back then, {but I know a few people who were and they turned out pretty ok}, but I wish I was born or was already alive during the fifties. During the fifties, you could actually fantasize about Marlon Brando or Paul Newman or Cary Grant or Gary Cooper because they were still alive  and they possessed the youth and the masculinity that made that generation cum in their drawstrings! Nyargh! Damn, I wish I was born during the fifties. I mean, dudes, Hollywood men had spunk back then and most of them actually studied acting.  Now all you get is Zac Efron.  I mean he's cute as a toilet paper roll and all but I don't think America's National Twink Zac would be starring on a play or a film adaptation that would require him to shout "STELLLLLAAAAAAAAAAAAAAAAAAAAAAAAA!" on top of his lungs.

Gary Cooper.  Yum.

Another thing that I like about the fifties are those propaganda films that disguise themselves as instructional films on almost any kind of topic.  They're downright idiotic but they are insanely funny.  I love the narrator dude who acts like he's The Voice of God {he prolly was} and tries to tell them characters to do this and do that and be careful of this and be careful of that.  Maaaaaaaan, I miss the fifties {minus the Cold War, the segregation, the fact that being gay means yer crazy, the mandatory fire and brimstone sermon from the Sunday pulpit in suburbia yadi yadi yadi}. Then again, I am thankful for not being a baby boomer because that would mean I'd be in my 60's now or prolly dead.  Meh.

Gary Cooper.  Yum.

Watch the propaganda/instructional film on cooking for first time housewives. Margie, here doesn't know how to cook but the omnipotent god of the 50's helps her by humiliating the hell outta her then teaching her the ropes of basic housewifery.  After a few more jabs at Margie's female psyche and a little bit of instructing and tweaking and consulting the Book of Shadows,  Margie transforms into Julianne Moore housewife extraordinaire and bakes the motherfucking cake.  Notice in the video that when Margie's husband comes back home from the pictures work, he doesn't hear The Voice of God and just wolfs down Margie's Cold War Surprise. Now that's a 50's happy ending.

Gary Cooper.  Yum. 


Friday, November 28

Quikies

The Kite Runner just made me cry.  Fucking movie made me cry. I just snotted on my keyboard. I'm sticking to porn next time.